Tag Archives: Molly Meldrum

Happy Birthday Wendy Saddington

Happy Birthday Wendy Saddington

Wendy Saddington was born on 26th September 1949. Her life and work were celebrated at the Canberra Museum and Art Gallery. If you missed the exhibition, there is an excellent record at YouTube.

Go-Set Writer

Wendy was not only one of the most acclaimed singers Australia has produced, she also wrote for Go-Set and is pictured here with Ian ‘Molly’ Meldrum in a staff photograph with a Swinging Sixties mug – and cigarettes all round. Wendy played gigs at Melbourne club, The Thumping Tum, which is where the idea for Go-Set was born. (Photo source: SMH and Clinton Walker).

 

Wendy Saddington (far right) next to Ian 'Molly' Meldrum at Go-Set (SMH, Clinton Walker)
Wendy Saddington (far right) next to Ian ‘Molly’ Meldrum at Go-Set (SMH, Clinton Walker)

 

Wendy Saddington's Advice Column in Go-Set
Wendy Saddington’s Advice Column in Go-Set

 

Answering Cris de Coeur 

Writer Jen Jewel Brown: “Her advice column, ”Wendy Saddington takes care of business”, for Go-Set from 1969-71 ”got dozens of genuine cris de coeur each week”, according to then editor Phillip Frazer, and she approached it ”with earnest concern”.

Right Place, Right Time

Wendy Saddington (lesbian) and Ian Meldrum (gay) were the right people, in the right place, at the right time – the Sixties – to steer Australia into a new era. As a strong woman with a powerful voice, Wendy was the musical ‘fit’ for the book everyone had read by the early Seventies –  The Female Eunuch, by Germaine Greer.

 


From Bon Scott to Cat Stevens

Wendy was one of the hardest-working singers in Australia and was billed alongside some of the biggest names in music at festivals like Pilgrimage for Pop in 1970 and  Myponga in 1971.  At the latter, she can be found alongside Black Sabbath, Cat Stevens and the young Bon Scott in Fraternity. Gone but never forgotten. Happy Birthday Wendy Saddington!

 

The Pilgrimage for Pop with Wendy Saddington.
The Pilgrimage for Pop with Wendy Saddington.
Wendy Saddington on the bill with Cat Stevens and Bon Scott.
On the bill with Cat Stevens and Bon Scott. Happy Birthday Wendy Saddington.

 

 

 

 

SONGS – The Real Thing

Classic Songs – The Real Thing

Before Countdown in Australia, there was Go-Set magazine in the 1960s, where Australian music, fashion and media exploded and would later evolve into Countdown culture – and eventually The Voice. The Real Thing in various incarnations  has survived from the 70s to today, throughout. Bill Armstrong was running his legendary Melbourne studios where Meldrum and Morris created their hippy anthem. This YouTube clip, below, tells Armstrong’s side of the story.

The Real Thing at Armstrong Studios Melbourne
The Real Thing at Armstrong Studios Melbourne

THE AUSTRALIAN HIPPY ANTHEM
The song be associated with Ian ‘Molly’ Meldrum who developed his taste in music during the hippy psychedelic era in Melbourne, while working at Go-Set. It was composed by Johnny Young, later known for hosting Young Talent Time. 

Are you a hippy, Go-Set asked? The Real Thing is a hippy classic.
Are you a hippy, Go-Set asked? The Real Thing is a hippy classic.

RUSSELL MORRIS AND IAN MELDRUM
This is Ian (below)  and the earliest video we have of him, talking about the Australian music industry at an airport – his virtual home, in the early 1970’s.

This clip from the ABC-TV series GTK reveals Ian discussing Daddy Cool and The Mixtures in 1971 – when he worked as a manager, record producer and a Go-Set columnist writing what the interviewer calls a ‘stirring’ column.

‘Even my best friends, including myself, are rubbished in that column,’ Ian says. In this clip he also talks about his work on the Australian hit, The Real Thing, by Russell Morris: ’When I got back from London in 1968 I was ready to tackle something like Russell Morris and the Real Thing. I don’t think Russell and I were a good artist-manager team. We argued a lot. But I think that we both benefitted from it.’

GTK – Molly Meldrum on the Australian pop scene (1971)

THE SONG THAT EMI HATED

Russell Morris, speaking to Carol Duncan in a fascinating interview at ABC Radio Newcastle, recalls:

“I remember when we first started in Melbourne, Ian Meldrum said to me, “We’ll go and see Stan Rofe at 3AW.” Stan Rofe was a big star to me, he was on air and I’d heard him on the radio station and I said, “Well how are we going to do that?” and he said, “We’ll just go up to the radio station!”

“So we went up to the radio station and walked in and Stan came down and had a cup of tea with us. Ian said, “We’ve got this, what do you think?” and Stan said, ‘Love it, I’ll play it.’ And that’s what it was like.”

“I tell you what is ironic, The Real Thing was turned down as well. EMI hated it, they thought it was the biggest load of rubbish they’d ever heard.”

And on Molly: “He’s still my best mate but we’d had a couple of professional disagreements. He saw me as Australia’s Davey Jones from The Monkees or some such thing and I wanted to go in a different direction completely as a singer/songwriter so we differed on the way we were going and the record company was pressuring for another single, but I really would have loved to be with a  band like Chain.

“But your fate is your fate. Whatever happens, those doors open and close for a reason and maybe if I’d started it earlier then it wouldn’t have worked.”

“I was happy doing The Real Thing, I quite liked psychedelia. I didn’t like pop a lot but I remember Ian (Molly Meldrum) had done a number of songs with me and we’d done ‘Only A Matter of Time‘ which I absolutely loathe, it was on the back of The Real Thing, and a couple of pop songs and I said to Ian, ‘This is rubbish, we’re not going in the direction I want to go,’

I said, ‘I’m not John Farnham, I’m not Ronnie Burns and I’m not Normie Rowe. I want to do something that they wouldn’t even contemplate thinking about doing. I want to go in that direction. Let’s go psychedelia, let’s go into something more band oriented than a pop single…Ian, to his credit, agreed and said, ‘You’re right, they’re not different enough.”

Read more hereRussell Morris – even better than the real thing

Later on, the arrival of colour television was  Countdown’s ticket to huge ratings. Russell Morris had five Australian Top 10 singles during the late 1960s and early 1970s and is in the ARIA Hall of Fame.

See the YouTube footage – Russell Morris – The Real Thing – (includes a short interview from Hit Scene 1969).

 

Buy The Very Best of Russell Morris on iTunes.

TEN FACTS ABOUT THE REAL THING

  1. Midnight Oil, Kylie Minogue and Third Eye have all covered the song.
  2. The song satirises the 1967 Cola-Cola advertisement song claiming the drink is The Real Thing, as part of the ongoing corporate competition with Pepsi Cola.
  3. As with The Beach Boys’ Pet Sounds and The Beatles’ Strawberry Fields Forever, the song is built from composite parts. The musicians involved came from The Groop and The Zoot.
  4. Maureen Elkner provides the falsetto. She would later have a feminist hit with Rack Off Normie, written by Bob Hudson as an answering call to his own hit, The Newcastle Song.
  5. The heavily processed vocals include what sounds like Ian Meldrum ‘delivering a buyer-beware message to potential trippers.’
  6. The song’s climax contains a recording of the Hitler Youth choir singing their anthem, Horst Wessel Lied, before the sound of an atomic bomb blast.
  7. It was recorded at Armstrong’s Studios in South Melbourne in 1968.
  8. The sequel to The Real Thing is ‘Part Three: Into Paper Walls.
  9. The song was originally earmarked for The Flies.
  10. Johnny Young (real name John De Jong) wrote the song after sharing a flat in London with Barry Gibb from The Bee Gees. He went on to present and produce Young Talent Time which launched the career of Danni Minogue.

For more information, see Tomorrow Is Today: Australia in the Psychedelic Era, Edited by Iain McIntyre. Purchase at Amazon.

The original jingle The Real Thing was recorded for radio by The Fortunes in the USA in 1969.

 

MIDNIGHT OIL COVER THE REAL THING

Filmed by BSharpProductions and uploaded to YouTube. This gig took place on September 8th 2007 when Midnight Oil played at the Backroom in Byron Bay. Peter Garrett dedicates the song to “all the Australian musicians, writers and poets.”

The Real Thing – Midnight Oil live at the Backroom Byron Bay

 

Buy The Real Thing by Midnight Oil at their website.

THE REAL THING IN JULY 2014

This is the most powerful modern incarnation of the song yet (at least since Kylie’s own version) from the Voice YouTube channel in July 2014. Here Kylie, the judges and the top sixteen contestants take Johnny Young’s composition and give it electrifying ensemble cast treatment.  Will the song be back in a new incarnation beyond 2020? The Real Thing is  one of the few Australian songs which has been revived from the Seventies through to the 21st century. Watch this space.

 

See more on YouTube from The Voice

Go-Set Magazine

Go-Set Magazine

England had the NME. America had Creem. Australia had Go-Set and in the Sixties and Seventies it played a crucial part in helping to create the Australian music industry.  The future Prime Minister of Australia, Bob Hawke, shared cover space with Gerry Humphries (sic – his name was actually spelled Gerry Humphrys), lead singer with The Loved Ones.  In 1972, Go-Set cost 20 cents. The pantyhose it advertised cost 99 cents. The guitar lessons (below) were free.  Today Go-Set’s market value is around AUD$50 and rising, thanks to the rise of auction websites like eBay.

 

The Loved Ones, Bob Hawke and Ian Meldrum in Go-Set.
The Loved Ones, Bob Hawke and Ian Meldrum in Go-Set.
Pantyhose advertisement in Go-Set.
Pantyhose advertisement in GoSet.
Guitar lessons in Go-Set magazine.
Guitar lessons in Go-Set magazine.

Ian ‘Molly’ Meldrum and Go-Set

Countdown (ABC-TV) made Ian Meldrum famous.  Go-Set helped him make the local Australian industry connections that would take the Sunday night television show to the top. Helped by Go-Set co-founders Phillip Frazer and Tony Schauble, he later became a household name.

Editor Iain McIntyre (Tomorrow is Today: Australia in the Psychedelic Era 1966-1970) interviewed  Phillip Frazer about Meldrum’s arrival:

“Very early on, when we were still working out of our flat, a young guy came through the door and asked what he could do, and Tony said, “I don’t know, but you could clean the house.” They then realised what a talent they had just found, in the future Countdown Talent Co-ordinator. Ian Meldrum’s Keyhole News (below) was accurate – Ian ‘Molly’ Meldrum would not only report on celebrities, he would party with them. Now, as then, Meldrum had Access All Areas. Eventually he would use that access to co-create a new Australian music industry.

The Never, Um, Ever Ending Story, Meldrum’s 2014 autobiography with Jeff Jenkins (Allen & Unwin) reveals that the young Ian was paid  $10 for his first article in Go-Set on July 20th 1966. He promptly deposited it at the ANZ bank across the road from the Go-Set office in Charnwood Crescent, St. Kilda.

He was multi-tasking on the magazine in 1967, predicting trends for 1968 with writer Helen Hopper. “Whiskers, moustaches and mutton-chop sideboards won’t last as a trend much longer,” they proclaimed.

Ian Meldrum's Keyhole News
Ian Meldrum’s Keyhole News

Four Corners

Four Corners considered Go-Set so important that they paid a visit to the office after it had been on sale for just seven months, interviewing a pipe-puffing, 21-year-old Tony Schauble.

The former Monash zoology student was in even younger company; the fashion writer, Honey Lee, was just eighteen.  Yellow Submarine played in the background while Ian Meldrum sported a tweed jacket.

 

The Go-Set Mafia

Australia in the Sixties and Seventies had a music business that consisted of a very few names and faces – all of whom knew each other – all of whom would go on to bigger things. Vince Lovegrove was one of them.

He was a Go-Set writer, but had also been in The Valentines with Bon Scott, the leader singer of AC/DC. He later went on to manage Divinyls.  (Picture of Vince Lovegrove: Courier Mail).

Ian ‘Molly’ Meldrum and singer/advice columnist Wendy Saddington can be seen at the right, in the photograph below.  The co-creator of Go-Set Phillip Frazer has written a superb interactive record of their magazine here.

The photograph which shows the late Wendy Saddington seated next to Ian Meldrum was taken by Vera Kaas-Jager in the Drummond Street, Carlton office. From far left are: founding co-publisher and occasional editor Phillip Frazer, writer and novelist Jean Bedford, editor Jon Hawkes (later a strongman for Circus Oz), David Elfick (founder of Tracks), Meldrum and Saddington. Art Director Ian MacCausland who would also become a mainstay of Australian publishing is not pictured, but thanks to ABC-TV’s GTK (short for Get To Know)  there is archival footage.

 

Vince Lovegrove, Divinyls manager (Courier Mail).
Vince Lovegrove, Divinyls manager (Courier Mail).

 

Wendy Saddington (far right) next to Ian 'Molly' Meldrum at Go-Set (SMH, Clinton Walker)
Wendy Saddington (far right) next to Ian ‘Molly’ Meldrum at Go-Set (SMH, Clinton Walker)

The Daily Planet
Anyone who didn’t work on Go-Set was working for its rival, Daily Planet, set up by Michael Browning, who would go on to manage AC/DC. He set it up with Michael Gudinski, who would set up Mushroom. The first issue of Daily Planet appeared on 13th August 1971. Created to settle a feud between Michael Browning and Ian Meldrum, it did not last.

David Nichols, author, former Smash Hits writer and music historian, recalls Daily Planet as ‘an artistic triumph’ in his book Dig: Australian Rock and Pop Music 1960-1985.  The magazine employed Lee Dillow, who would go on to become John Paul Young’s tour manager. Jen Jewel Brown (then Jenny Brown) who would go on to write songs with Dragon, was also on the Daily Planet roster. She would also write a classic biography of Skyhooks.

Boomeranging around all these faces and names was Ian ‘Molly’ Meldrum who was given his nickname by radio DJ Stan Rofe at 3UZ. He thought he was a band moll. And who could forget Go-Set’s Doug Panther, the self-pronounced ‘drunken reporter’? 

Lily Brett and Go-Set

Lily Brett would go on to become a novelist after leaving Go-Set but back in the 20th century,  her main passion was writing  about The Loved Ones.  She was hired at the age of 19 after promising to lend her pink Valiant to Tony Schauble, one of Go-Set’s two publishers.

Lily perfected the whimsical, fab, writing style of the Sixties and early Seventies – a time when Incense and Peppermints ruled.
She interviewed Grant Rule, according to Ian Meldrum’s biography. Rule would later go on to work with Meldrum on Countdown, as its producer. Lily recorded, “He likes the colour black, greyhounds, girls with skinny legs, making movies and most important – sultanas.” Lily would later write a novel based partly on her time at Go-Set with the title Lola Bensky – the fictional magazine in her story is  Rock-Out.

She reviewed the young Bon Scott and Vince Lovegrove in their band The Valentines unfavourably, if kindly. Their 1968 single I Can Hear the Raindrops brought this response: ‘I’d advise The Valentines to forget this record very quickly. There, now I’ve said it, I feel terrible!”

 

The Thumping Tum

 

The Thumping Tum

The creators of Go-Set, Phillip Frazer and Tony Schauble, dreamed up their magazine at the legendary music venue, The Thumping Tum at 50 Little Latrobe Street.

Today, Literature Lane is around the corner, although there is (as yet) no plaque or mural remembering the birthplace of the magazine that trained so many writers and authors.

Not only did this place give rise to Go-Set and some very impressive Paperback Writers after their journalistic careers, in its later punk incarnation, as Bernhardt’s,  it was home to Nick Cave. Today the old Thumping Tum/Bernhardt’s is  an apartment block.

Everyone went to the Tum in Melbourne. Frazer and Schauble had edited the Monash University student newspaper Lot’s Wife together and one historic night in 1965, met with Peter Raphael and photographer Colin Beard there, to dream up Go-Set, which first appeared on February 6th 1966.

With an office at 2 Charnwood Crescent, St. Kilda, they were in the heart of Melbourne’s low-rent music industry.

Once Go-Set was off and running, it sold 70,000 copies (McNair 1970) and had a readership of almost half a million Australians. They pulled off exclusive interviews with Mick Jagger and encouraged Letters page feuds with Ian Meldrum.  It was all over by 1974, but while it lasted, Go Set was a phenomenon. It saw young Australians through the Vietnam war,  women’s liberation, gay and lesbian rights, the Pill and Pot. And Sherbet’s takeover of Melbourne.

Sherbet Take Over Melbourne in Go-Set.
Sherbet Take Over Melbourne in Go-Set.
Go-Set John Will Marry Yoko Ono
Go-Set John Will Marry Yoko Ono

The Archive
For an indispensable archive of GoSet covers, visit Pop Archives which has many of Colin Beard’s Sixties portrait photographs on display. Armed with a Pentax (no flash, at the beginning) he went backstage to photograph The Rolling Stones and made his name.  Miles Ago is also an excellent Go-Set resource. The National Film and Sound Archive of Australia and the State Library of Victoria also hold good collections of the highly collectable magazine. Researcher David M. Kent has an unmissable blog.

Mummy Cool and Daddy Cool

Daddy Cool singer Ross Wilson was married to Pat Wilson, who agreed to write an advice column and was immediately nicknamed Mummy Cool. She succeeded Phillip Frazer’s then-girlfriend from Monash University, Sue Flett, who masqueraded as Leslie Pixie.

Other advice columnists included  blues singer Wendy Saddington, from 1969. The job seemed mostly to go to women and by the time Suzi Quatro had her first single out in Australia, staffer Jandy (below) was tapping out replies to agonised questions.

 

Let Jandy answer your problems at Go-Set.
Let Jandy answer your problems at Go-Set.

Almost anyone who ended up becoming anyone at all in the Australian media, music and entertainment industry, ended up in the Go-Set offices at some point – or being interviewed by the staff.

Apart from the aforementioned names, the magazine attracted David Elfick, founder of Tracks and producer of Rabbit Proof Fence.  Ed Nimmervoll became a powerful voice in the Australian music industry and went on to found Juke. 

As Phillip Frazer explains in Iain McIntyre’s  book on Australian psychedelia, Tomorrow is Today, everybody was under the age of 23 and everybody liked surfing and slot-cars as much as they liked music, so ‘lifestyle’ found its way into the Go-Set pages. So did horoscopes. Decades later, several staff found themselves living around Byron Bay, where a recent story of them surfaced in local media, along with this wonderful photograph of some original Go-Setters.

Denise Drysdale (below)  who is still a successful Australian television face, was part of a Go-Set go-go dancing team. She would take her place with the Go-Set Mafia later on, and join Ian Meldrum in selling Countdown to Australia, below.

 

GO SEt Byron staff GO SEt DING DONG

 

The Offices

Pop Archives is the source for all the Go-Set office addresses.
2 Charnwood Crescent, St. Kilda
17 and 27 Drummond Street, Carlton
28 Cambridge Street, Collingwood
374 Little Collins Street, Melbourne
425 St. Kilda Road, Melbourne

The Horoscope
Your Stars as I See Them, by Evelyn King, ran until the end of 1966. Later, advertising sales manager Terry Cleary wrote the horoscope, or was it was known, The Go-Set-Oscope. His father was Jim Cleary, who played football for South Melbourne and according to Ed Nimmervoll, he used to make the astrology up. Some time later in the Age of Aquarius, Hair would appear at The Palace Theatre in Melbourne with its own in-house astrologer.

 

The Go-Set horoscope by Evelyn King.
The Go-Set horoscope by Evelyn King.

 

The Name
Writing for Crikey in 2016, Phillip Frazer confirmed, “I put go-go and jet-set together to get Go-Set.”  Part of the success of the magazine was down to the fact that Frazer and his colleagues could speak the language.

The newspapers of the time, and magazines like The Australian Women’s Weekly, did their best – but these were teenagers and early twentysomethings speaking to their peers.

The fashion was for ‘the cool trendy blokes’ back in 1968. Prue Acton, who would later become a designer, also helped with the GoSet style section – and kept her signature for her clothing label. One striking thing about the Go-Set faces who remained successful in the Eighties, Nineties and Noughties is their understanding of trends, image and changing fashion. Not only Prue Acton, but Angry Anderson, formerly with Buster Brown (with hair) and latterly with Rose Tattoo, have an instinct for the zeitgeist.

 

GO SET

Prue Acton in Go-Set
Prue Acton in Go-Set
Angry Anderson with hair (and no tattoos) in Buster Brown. GoSet.
Angry Anderson with hair (and no tattoos) in Buster Brown. GoSet.

Farewell to Go-Set

 

By the time ‘the teen and twenties newspaper’ had moved on from the shock of Normie Rowe’s Vietnam call-up, and Billy Thorpe and Gerry Humphries were making way for AC/DC – it was almost over.

normie_called_up-lr_oln3xm1

Go-Set with Billy Thorpe and the Aztecs.
Go-Set with Billy Thorpe and the Aztecs.


As The Beatles were farewelling the Sixties and also each other, Go-Set was not far behind.   RAM magazine would come along by the Eighties, together with Rolling Stone and Juke.  Free street press would appear – On the Street, Drum Media, Beat.

Within a short space of years, The Thumping Tum, where the whole magazine had been dreamed up in such a classically Sixties way – would be turned into thumping rubble by Melbourne developers, after briefly being a punk venue favoured by Clinton Walker, Bruce Milne, Nick Cave and Rowland S. Howard.

While it lasted, though, Go-Set was the best training ground Australia has ever seen for  what would become its world-beating music, media, fashion and entertainment industry.  And all done with a flash-free Pentax and Ian Meldrum’s clattering typewriter.

There was a time when everyone wanted to be in the Go-Set Club (below) but today there is Twitter, Pinterest and Instagram instead. That might just be Australia’s loss. Until then, you can find GoSet for sale on eBay.

Jessica Adams @jessicacadams

Join the GoSet Club!
Join the GoSet Club! GoSet Magazine gave members two free wall posters and a membership card.
The Beatles break up in Go-Set.
The Beatles break up in Go-Set.

Thanks to Jen Jewel-Brown and Phillip Frazer. All video footage can be seen at YouTube.