SONGS (I’M) STRANDED BY THE SAINTS
“It was our first adventure in a recording studio.
I recall it all felt rather natural. Drink and go to work”
Christ Bailey, 2001 speaking to MOJO
(I’m) Stranded is the first Australian punk single. Speaking to Andrew P. Street at Faster Louder, Chris Bailey said:
” I know that years ago I refused to play [debut single] ’(I’m) Stranded’ because I thought it was the most boring song I’d ever heard – well, that’s not strictly true, it’s actually an OK tune – but people even had t-shirts printed up that said “Play Stranded, You Bastard” [laughs]. But I remember there was one tour and there were all these Hitler Youth looking kids going “play ‘Stranded’! Play ‘Stranded’!” so we did, and nobody noticed.”
Chris Bailey on Triple J, 1985
“With Stranded I was chuffed because it was a record and it had my picture on it. I was young and I didn’t know any better.”
Andrew Stafford, in The Guardian –
“Then there was the video, which begins with the unintended metaphor of drummer Ivor Hay kicking open a door. The band are playing in an abandoned building on inner city Petrie Terrace, Bailey singing in front of a fireplace with the words “(I’m) Stranded” daubed above in red letters, which would form the backdrop for the cover of the Saints’ debut album of the same name, released in February 1977.”
PUNK ROCK – AN ORAL HISTORY BY JOHN ROBB
Rat Scabies, The Damned:
“One of the things that made punk very valid was, when you consider The Saints were doing the same in Australia at the same time and the Ramones in New York, it was obvious that people wanted to do it all over the world. The Saints were totally removed from everything going on anywhere else. They couldn’t get Sounds or NME in Australia. The synchronicity was amazing.”
GRANT AND I BY ROBERT FORSTER
“I got the single, released on the band’s Fatal label, the next day and I wish I’d bought twenty and was now slowly selling them on eBay.”
“The Saints had a genuine gut level contempt for everything going – it was very Australian, it was very different from the English punk thing. (I’m) Stranded gave me and a lot of people around me a kind of soundtrack to the way we wanted to live, it gave us a licence to behave in a certain way.’
DAVID NICHOLS : Dig: Australian Rock and Pop Music 1960-1985
Ed Kuepper: “I was working at Astor Records as a storeman and noticed boxes of private pressings – mostly country tunes by truck drivers. Having our own label seemed like the sensible way to get a record out. We conducted a poll among our fans as to which songs would most likely become a hit and ‘Stranded’ got the most votes. I can’t remember if we rigged the poll.’
All The Punks Bought It
BARRY MILES “All the punks bought it. Bernie Rhodes, the manager of The Clash, had a box of them and gave me one just two weeks after release. “ (London Calling: A Countercultural History of London Since 1945)
JON SAVAGE, ENGLAND’S DREAMING
“The Saints had been developing in near-isolation for three years but it took just one review in Sounds to make their career.”
Jon Savage in Hero Magazine:
“I came out of university, and into a recession. I couldn’t see how I could have the life I wanted to have. Anybody that was into rock music in around 1975 had a real sense that something was going to happen. When the first Ramones album came out in 76 I thought, “Whoa, this is it.” I was obsessed with them, and The Saints’ record, I’m Stranded. It’s a great record, the singer just didn’t give a shit.”
Rock historian Glenn A. Baker records how Boomtown Rat Bob Geldof told him: “Rock music in the ’70s was changed by three bands—the Sex Pistols, the Ramones and the Saints”.
Ed Kuepper to Joe Matera, Australian Guitar, 2004
JM: You actually did two sessions for I’m Stranded. Did you use the same gear for both sessions?
EK: “No, the first session we did at Window Studios in Brisbane, was for the single ‘(I’m) Stranded’ b/w ‘No Time’ in June, 1976 about six months before we did the rest of the album. For the single, which was engineered by Mark Moffat, we went in, set-up and recorded it and mixed that same night. Everything was done in about five hours and it’s the original single which appears on the album. On the first session, I used a Fender Twin amp and Gibson SG with no effects whatsoever, I just cranked the amp up.”
CLINTON WALKER – “When Kid Galahad and the Etemals became the Saints back in Brisbane in the mid seventies,there wasn’t even a scene they could crash into. Eventually, with bassist Kym BradShaw in tow, they wound-up playing at parties they would throw themselves.”
MARK MOFFATT “In London, I worked in a guitar shop and people would bring in their amps to sell for cash,” Moffatt recalls. “I could hear this thunderous noise upstairs so I went to see what was making it and bought the amp that afternoon.”
Moffatt, a guitarist in the Carol Lloyd Band, had recorded in Sydney, where he picked up tips about microphone placement.
“There was a cement hallway at the studio, so for The Saints I put a microphone in there. You can hear that in the chorus of No Time where it takes off. I still hear that now and go ‘Wow’.”
Great Australian Albums – I’m Stranded
Great Australian Albums – I’m Stranded is free to watch on YouTube.
With interviews with Chris Bailey, Ed Kuepper, Nick Cave, Rob Younger (Radio Birdman), Damien Lovelock (The Celibate Rifles) and many more, this is the definitive documentary on the band, the single and the album. Written by Toby Creswell ; produced by Toby Creswell & Larry Meltzer ; executive producers Martin Fabinyi & Michael Gudinski. Originally screened on SBS-TV.
Songs – (I’m) Stranded on Apple and Amazon